And you have that in every genre, but that was the main pull to EDM. There’s just like this pop aspect to EDM, where it’s like it’s made to appeal to the masses. And then electronic music was a whole host of artists and things and people who I just personally don’t find a whole lot in common with.ĩ0% of my niggas say they not EDM strictly off of the EDM scene never including them ( prime example) we all feel like our shit is some middle thing because it doesn't "fit" anywhere cuz we always left out - que lo que January 24, 2022 And I felt like I was reminded that when I’m put against the rest of the industry, I don’t really have a space because the beat scene was a small sliver of electronic music. Then fast forward to when SoundCloud like, just completely died, it was like a very quick transition. I felt represented and felt like I could fit in. And there was plenty of black representation like TEK.LUN, Kaytranada, WIZE, J.Robb, Monte Booker, the list goes on. So when the beat scene came up, I felt like there was a space for me to be exactly who I was. It’s honestly been very back and forth with me over the years. I see a lot of Black artists in electronic music get categorized as hip-hop, whereas a white artist can make a similar song and now it's electronic music. Recently, there’s been this conversation around being Black and in the electronic music scene, specifically in EDM. And then it morphed into me making it.įlying Lotus is credited to be one of the pioneers of the LA beat scene, which is such an integral part of electronic music. I was kind of just riding this wave of listening to really dope stuff. So I was really interested in early FlyLo and Cosmogramma which opened the door to Hudson Mohawke, and then that took me to Soulection, and then that took me to SoundCloud. Flying Lotus exposed me to this whole new world of instrumental music.
What got you into the production pipeline?Ĭhromonicci.: Oh, good question.
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Ones to Watch: You got into music through your mom teaching you how to play piano and maybe eight years ago is when you started actually making your own music. His James Blakeian career trajectory has just begun, and we're just here to take it all in. His discography is an assortment of hip-hop beats, electronic trap tracks, soulful ballads, and a mixture of everything. Today, you can find the singer-songwriter-producer dropping a myriad of tunes. To be honest, I'm still pretty dissatisfied with the quality of my vocals, but gotta take it one step at a time!" I didn't have a mic for a HOT minute so vocals sounded like trash. In 2018, he told FUXWITHIT, "I felt that the vocals I added took away quality from my songs. During SoundCloud's prime in the mid-2010s, the producer would occasionally add his vocals to a beat. While chromonicci.'s claim to fame might have been his beatmaking abilities, the last couple of years have proven the artist has so much more to offer. He shares, "The next recommended track was 'Camel' by Flying Lotus and I was like, 'Yo, what is this?' And of course, after that it was just like a big avalanche." It wasn't until he stumbled upon "Massage Situation" by Flying Lotus in a basketball highlights video on YouTube, where Christian Crenshaw would officially transform into the artist we now know as chromonicci. Baptized by musical fire, the musician grew up singing and playing the piano, so dedicating his life to music wasn't a surprise. is a non-conformist who garnered respect in the beat scene for being one of the most prolific producers in electronic music, injecting his signature "niccibounce" to mark his territory. on ( 'load', function ( ) Īlthough, this technique is a bit involved and I’ve deliberately glossed over some of the details, it creates a nice visual effect, greatly reduces the perceived load time of the image, and it is especially effective for long-lived, single-page applications.Houston-based chromonicci.
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